Castle Ashby


Castle Ashby, Northamptonshire
Photo © R neil Marshman, 2004

Castle Ashby is the name of a civil parish, an estate village and the country house in rural Northamptonshire. Historically the village was set up to service the needs of Castle Ashby house—the home of the Marquess of Northampton. The village has one small pub-cum-hotel—"The Falcon".

The Castle part of the village name derives from a licence obtained in 1306, for Langton the Bishop of Coventry to castleate his mansion in the village, which was then just called Ashby.

The village contains many houses rebuilt from the 1860's onwards - and includes work by the architect EF Law - whose work can also be seen nearby at Horton Church.

The house

Elevation and ground floor (left) and first floor (right) plans. Key rooms include: great hall (top of courtyard, centre and right through both storeys); great chamber (top right on first floor); chapel (bottom right through both storeys); long gallery (bottom centre on first floor).

The building of Castle Ashby was started by Henry, 1st Lord Compton in 1574 and was later continued by his son, later created the Earl of Northampton. Queen Elizabeth I's first visit to the house was in 1600. Like other houses of its date, it was built in the shape of the letter E, a porch and flight of steps forming the stroke of the E. When King James and his Queen first stayed in 1605, the castle is documented as "Lord Compton's princely mansion", and in the household records we find that employed at this time were 83 household servants, four chaplains, three musicians and the Gardener of Ashby.

The parapet of stone lettering around the top of the house is dated 1624, and its Latin inscription runs as follows:

NISI DOMINUS CUSTOS CUSTODIVERIT DOMUM FRUSTRA
VIGILAT QUI CUSTODIT EAM: NISI DOMINUS AEDIFICAVERIT
DOMUM IN VANUM LABORAVERUNT QUI AEDIFICANT EAM

The words are based on the 127th Psalm, "Except the Lord build the house they labour but in vain they who build it; except the Lord keep the house the watchman waketh but in vain".

By 1635 a screen had been added across the open southern side of the courtyard, probably to make the two wings accessible to each another; it is thought that screen is the work of Inigo Jones who was employed at the castle until, as Colin Campbell the architect put it, "the Civil Wars put a stop to all Arts".

Whilst the family was away fighting on the side of the King in the Civil War, the east side of the house was set fire to and severely damaged. The folklore around this is that an old woman known as Elspeth, who lived in the Parvise over the north porch of the church, first noticed the blaze and alerted the village, thus saving the remainder of the house. The marks of the flames can still be clearly seen on the lintels of the windows. The contents of the house were looted and much damage sustained to the estate by the Parliamentarians.

In October 1695, King William III visited the house and introduced the Dutch custom of planting avenues: not only to add to the importance of the house, but also to improve the outlook from its windows. Within a month of the visit, Lord Northampton began the planting of four avenues opposite each face of the house—something that took 25 years.

As a result of Capability Brown's "return to nature" approach 35 years later, only two of these avenues now remain. Brown, the architect and landscape gardener, was called in during 1760. Apart from "altering" the avenues into small clumps of trees and doing away with the Elizabethan gardens, he increased the ponds overlooked by the house into ornamental lakes, dug a ha-ha, or sunken fence, around the park and built the dairy and the temple against the menagerie.

It was not until the 1860s that any further substantial changes were carried out at the house, when Charles, the 3rd Marquess, and his wife brought in Sir Digby Wyatt, who made many changes to the interior of the house. Most of these were subsequently restored to their previous state by later generations who considered them ugly.

At this time the terraces round the house with their terracotta balustrading were laid out, and the Italian "golden gates" at the entrance to the front drive were hung on piers designed by Wyatt himself. Sadly, before all the changes were carried out, the Countess Theodosia died of consumption giving rise to the pitiful Latin inscription in terracotta lettering beside the church: "To Theodosia, sweetest of wives…Begun in hope, finished in regret."

In 1867 the architect E.W. Godwin was called in to undertake further work; as a result, the Italianate Orangery and the Birmingham show houses were built to his designs. The old kitchen garden between them was also turned into an Italian garden with shaped beds divided by box edging, and the enormous kitchen garden beyond was walled in. Lodges were built approaching the station and at the entrance to the Avenue from the Northampton road. This latter pair, however, were pulled down in 1869, a year after their construction, for being too close together and were immediately rebuilt in their present position.

Later still, in the time of the 4th Marquess (1877–1897), extensive redecoration was carried out to the Long Gallery, Great Hall, Billiards Room and Chapel.

The House & Grounds Today

Royal Visitors

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